Ohmori, your first directorial outing was with Omega Ruby and Alpha Sapphire, which were remakes. In general, I think you’ll find that it invokes feelings of a tropical island environment, so a lot of really warm tones. But in order to make it unique, we went with completely different melodies over the top of those. So for example, we wanted to use the core rhythms that you would find in a lot of traditional Hawaiian music. The Alola region in Pokémon Sun and Moon is definitely its own thing, but also obviously inspired by traditional Hawaiian music styles. Masuda: We took inspiration from Hawaii specifically, but we wanted to do more than just copy the sort of music you’d hear there. You’re anticipating my next question! As the game’s composer, what styles and motifs were you going for this time? I think right now I’m able to scratch that itch by working on some of the music in the games. I wouldn’t want to just give up creating things. I think both roles are a lot of fun, and they both offer unique ways to make your mark on Pokémon.
Making decisions about when to release for example the virtual console versions, or the Red and Green or Red and Blue original Pokémon games and how those would interact with the brand as a whole. When you work as a producer, you have more influence over the big picture, and the Pokémon brand as a whole. That’s a lot of fun as someone who likes to create things. When I was directing the games, I was directly involved in the creative aspects and really in the trenches with everyone else. Masuda: Recently I really have come to feel that both roles, producer and director, are a lot of fun in their own rights. Do you enjoy the higher-level view after directing so many of the earlier games? Masuda, you’re the producer again this time. That’s great for us, and I hope people will be interested in giving Pokémon Sun and Moon a go if they’re looking for a more in-depth experience. So Pokémon Go didn’t really affect any of the development decisions, though I do think that thanks to Pokémon Go there’s an increased awareness of Pokémon in general.
Pokémon sun and moon 3ds game the years it came out series#
With the main series games, we instead focus on catching Pokémon but also on raising them and adventuring with them and having a lot of strategically deep battles, where players can then use the Pokémon they caught in those battles. We wanted people to just enjoy going out and catching Pokémon. Our goal with Pokémon Go was to put the focus on the catching Pokémon element. Pokémon Go uses location-based information where you walk around in the real world to find Pokémon and catch Pokémon. Masuda: We began Pokémon Go‘s development as a project that would be different from the main series roleplaying games we create at Game Freak.
For even more experienced players, it removes a lot of the homework involved in remembering each Pokémon's particular characteristics.Īll in all, "Pokémon Sun and Moon" is a very worthy addition to the franchise, making lots of tweaks large and small, like this one, to the series' winning formula.TIME: Did Pokémon Go‘s meteoric success alter the development of the game or the pressure you felt given the resurgence of interest in the Pokémon franchise and presumptively higher powered microscope that maybe puts Pokémon Sun and Moon under? It's also a good incentive to catch lots of wild Pokémon, so you have the intel you need to succeed in battle.įor new Pokémon players, it's a mega-handy cheat sheet that makes it much easier to navigate the complexities of combat. It just means that on repeat encounters, you don't have to have memorized which moves worked and which ones didn't. That means the game keeps some of its challenge, as opponents can still surprise you with Pokémon you've never encountered before. The first time you fight any given Pokémon, it's up to you to ad-lib a strategy (or go back to the old-fashioned method of Googling every monster you come across). You'll only see these indicators of effectiveness the second time you battle with a Pokémon.
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